Faceless – 100 Word Short Story

Faceless – She had always wanted to be beautiful. She had read about the power of love and beauty in the nefarious dead-fairy tales of the underworld. This could never be her.

Yet, she never gave up. She read voraciously about the fiction of the nether world histories. Summoning a Djin from a rescued incantation, she used it to plan her return to the world of the living. The first step was to convert her vaporous body into something tangible.

Next, for her to be beautiful and with a face, she would need to devour a heavenly soul.

Artwork is by mrs_white_photoart on Instagram and titled “Caught in Your World.”

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On Writing Horror Willy Martinez

  • On Writing Horror amassed from an obsession to learn where the power of fear resides. An anthology of works studying the way in which writers evoke fear and how they may affect us. On Writing Fear is an index of terror, drawing from Aristotle, Longinus, Edmund Burke, Che Guevarra, Wordsworth, Foucault, H.P. Lovecraft, Todorov, and many more.

    Chapters include digital illustrations created by the author.

    Also available at the Apple iBookstore, Kobo, Barnes and Noble, and Smashwords.

    A must have collection of research on the power of Horror- a tormented treatment of the human passions!

    Table of Contents for On Writing Horror

    Ch 1. Fear and War: Crafting the War on Terror Using Fear Appeals Ch 2. The Art of the Coup D'etat Ch 3. The Feminine Supernatural versus the Male Supernatural Writers Ch 4. Projecting Ghost Children to Find Identity Ch 5. The Supernatural Power of the Sublime in Wordsworth's Poetry Ch 6. Disorienting Characters with Haunted Spaces and Auditory Hallucinations Ch 7. Modern Ghosts Ch 8. The Fantastic in Fear Ch 9. The Fun Side of Fear: Faustus' Tricky Imp of Satan Ch 10. Glorifying Satan

    Some of the art included:

    [caption id="attachment_4846" align="alignnone" width="188"]Art for On Writing Horror Art for On Writing Horror[/caption] [caption id="attachment_4847" align="alignnone" width="200"]Art for On Writing Horror Art for On Writing Horror[/caption] [caption id="attachment_4848" align="alignnone" width="194"]Art for On Writing Horror Art for On Writing Horror[/caption]

Mad Men

  • Mad Men is a collection of three disturbing horror shorts from authors living in the Midwest. The themes explored in this collection range from man versus self, man versus man, and man versus creature. [caption id="attachment_4742" align="alignleft" width="188"]Mad Men eBook Mad Men eBook at Mind on Fire Books[/caption] Mad Men begins with Matt’s tale, a thought-provoking thriller which causes the reader to question his reality and what he fears within himself. The second tale explores the grotesque juxtaposed with beautiful nature, where the ending unfolds into a horrific dream, waking in even more terrible pain. The third tale is by seasoned horror writer, A.R. Braun – and his diabolical creatures never disappoint!  A.R. Braun’s goal is to be on the banned book list; we think this tale may just be evil enough to be considered. A must read before it does get banned! Mainstream Horror Shorts don’t always satisfy us in the way they should. They don’t open conversations about what it is that we fear or why we fear such things, they focus mainly on pop culture and gore. The writers in the Mad Men anthology understand the need for literate horror, opening discussions of man’s psyche. When these writers set out to tell a story, they are less interested in conveying fear and more interested in wonder, the sublime, and the infinite strangeness that drives all man and woman. Highly recommended for tweens, teens, and adults. The Mad Men anthology published by Mind on Fire Books. Written by Willy Martinez, A.R. Braun and Matt Lavitt. No part of this book shall be copied without permission from the publisher.

Guy de Maupassant – Horror Fiction and 10 Quotes

Born August 5, 1850, Guy de Maupassant was a popular 19th-century French writer. He is considered one of the fathers of the modern short story. He wrote more than 300 short stories, six novels, three travel books, and one volume of poetry.

It is with Le Gaulois in 1883 that de Maupassant diverted himself from a career as a humorous short story writer and begins on a second career that would make him a horror writer to stand beside Edgar Allan Poe. The stories in de Maupassant’s first nine volumes often speak of insanity, and it becomes clear that the author had a fascination with mental illness that grew with time, for lunacy is often used by de Maupassant as a plot devise.

De Maupassant’s masterpiece is “The Horla”(1886). Of all the stories he wrote this single tale is most often anthologized and was even filmed, though under the title of a different story, in MGM’s Diary of a Mad Man (1963) with Vincent Price. H. P. Lovecraft felt of stories describing alien possession “this tense narrative is perhaps without peer in its particular department.” In “Diary of a Mad Man” we read a judge’s diary revealing how he was obsessed with killing, then murders a little boy and a fisherman.

Here are a few of Guy De Maupassant’s short horror stories:

  1. “The Spectre” or “The Apparition” 
  2. “The Flayed Hand”
  3. “The Hand” or “The Englishman” 
  4. “The White Wolf” or “The Wolf”
  5. “Vendetta” or “Semillante”
  6. “A Mother of Monsters”
  7. “The Spasm” 
  8. “On the River”
  9. “He?” or “The Terror” 
  10. “The Specter” 
  11. “The White Lady”
  12. “Was it a Dream” or “Epitaph”
Guy De Maupassant
Guy de Maupassant. Graphic design by Mind on Fire Books.

Here are 10 quotes attributed to Guy De Paupassant

  1. Patriotism is a kind of religion; it is the egg from which wars are hatched.
  2. There is only one good thing in life, and that is love. And how you misunderstand it! How you spoil it! You treat it as something solemn like a sacrament, or something to be bought, like a dress.
  3. I have come to the conclusion that the bed comprehends our whole life; for we were born in it, we live in it, and we shall die in it.
  4. Every government has as much of a duty to avoid war as a ship’s captain has to avoid a shipwreck.
  5. It is better to be unhappy in love than unhappy in marriage, but some people manage to be both.
  6. Solitude is dangerous for active minds. We need men who can think and can talk, around us. When we are alone for a long time, we people space with phantoms.
  7. Love always has its price, come whence it may.
  8. The great artists are those who impose their personal vision upon humanity.
  9. There are in France some fifty thousand young men of good birth and fairly well off who are encouraged to live a life of complete idleness. They must either cease to exist or must come to see that there can be no happiness, no health even, without regular daily labor of some sort.
  10. Our memory is a more perfect world than the universe: it gives back life to those who no longer exist.

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Flash Fiction Read for a Work-Break

Orner-My-DeadA quick flashfiction read for your work-break, title “My Dead”:

This is the second story in this summer’s Flash Fiction series. You can read the entire series, and last summer’s Flash Fiction stories, here.

Her name was Beth. We didn’t know each other. We took her car and headed to Missouri from Chicago. I remember that by the time we’d gone a few miles south on the Stevenson we’d already run out of things to say. But, for some reason, we both decided, without spelling it out, not to push it. Nothing was going to come of this, of us, we had hours to go, and it was all right just to let the silence be and listen to the radio. We were on our way to a séance she’d heard about from an old high-school friend. She’d grown up in a small town southwest of St. Louis, and the séance was being held nearby, at an abandoned air-force base.

We’d met a couple of nights before. Beth had come into the restaurant near the Loop where I waited tables, and had written her number on a napkin. “Call me,” she’d ordered. A couple of nights later, over drinks, she told me that she wasn’t the kind of person who ordered people to call her. Something about my face had said that I needed to be told what to do. That was also when she mentioned that this séance was happening at 2:00 a.m. near St. Louis. If we left right away, she said, we could probably make it. The fact that we both had to be at work the next day made it all the more spontaneous and awesome. We headed out into the night exalted, until, like I said, our conversation dried up completely. It was as if the intrepid adventure were already over and now we just had a shitlong ride ahead of us, which we did.

When I woke up, we were already past St. Louis and Beth had turned off onto a narrow two-lane highway that cut through a forest. We drove another hour and a half before we reached the base. As per her friend’s instructions, we ditched the car beneath a stand of trees. Beth didn’t need any help climbing the fence. She practically leapt over it, and I had to sprint to catch up with her as she strode along the ghost streets, past rows of empty barracks.

“What’s the hurry?” I said. “Everybody’s already dead.” No answer. When we got to Hangar 32, the séance had already begun. About a dozen people were standing in a circle holding hands. At the center of the circle was a flower pot. Two people unclasped their hands to allow Beth and me to join. A bearded guy in a black watch cap was mumbling with authority. I admit that at first I found the whole thing mesmerizing. Coming upon this group in the darkness of that enormous hangar, the man chanting, the single flame flowing shadows onto the corrugated walls. There was something weirdly sacred about it all, and I thought, Right, if you want to commune with the dead, of course what you have to do is drive across the night to Missouri.

But, after half an hour, forty-five minutes, I began to understand just how fucking cold I was. It was mid-March and I hadn’t dressed for it. You want to dress lightly on a first date to demonstrate how free and easy-going you are. The dude was still mumbling, and I waited for something, anything, to happen, while softly stamping my feet on the crumbling pavement to warm them up. I was about to whisper to Beth, whose hand I was holding, “Yo, why don’t we blow this popsicle stand and get some fucking breakfast?,” when somebody new began shouting. “Marina? Is that you, Marina?” Then other people were speaking, too. “Larry, tell your sister I’m onto her games.” “How many years did you think you could hide in plain sight, Ramon?” Even Beth got into it: “You never loved me, not a day, not an hour, not a second of a single minute—”

Everybody was speaking at once, and I had trouble discerning individual words in the chaos of voices. And it was ridiculous, it was beyond ridiculous, but it also wasn’t ridiculous. Shouts in the dark. Maybe that’s the best we can do to reach beyond ourselves. I tried to join in, too, but I could sense none of my dead, and I couldn’t, for the life of me, think of anything to just spout out. So I bought it, but at the same time, by that point, I was just trying to live through it, I was so cold. Then the candle went out and our leader broke ranks and swooped down to relight it, but his lighter jammed. We all stopped speaking and began patting down our pockets for a lighter or matches. But our leader shouted at us, “No! Don’t break the membrane! Re-bond!”

We never quite got back on track after that. The collective spirit or belief or whatever it was escaped from us, and, though our leader mumbled for another half an hour, only a few people spoke up. The guy next to me, a guy I’d been holding hands with for almost two hours without getting a look at his face, actually made a joke. At least, I thought it was a joke. He said something about the temperature of coffee in hell. I laughed out loud. No one else did. That pretty much ended it. Before we left, Beth went up to the leader and gave him a kiss on the lips that wasn’t a friend’s kiss, not by a long stretch. In the car, I asked her who she’d reached. She said she didn’t want to talk about it.

“So you and the dude—”

“That was nothing. O.K.?”

We settled back into the silence of the drive. No radio now, just the drone of the engine, which you don’t hear unless you listen for it, and then it’s there all the time. It was getting toward dawn, and the dark was giving way to gray. I’ve always loved that early-morning gloom. I was about to say as much, to try to chip away at the silence, when I noticed that the car had begun to drift into the oncoming lane. Beth had fallen asleep. I don’t know why but, instead of grabbing the wheel, I seized her shoulder. She woke up but didn’t seem to realize what was happening and immediately stomped on the brakes. We jolted forward, skidded, and stopped. Headlights were approaching out of the gray. I had time for only one thing. I opened my door, got out, ran off the road into the trees, and waited for the headlights to slam into Beth.

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They didn’t. The other driver saw her in time and fishtailed around her and stopped. For a few moments, everything was still. Then I heard the birds in the trees. I walked back out to the road. The guy rolled down the window of his truck. He looked at Beth in her car; he looked at me. Then he drove away, as if some lovers’ spat weren’t worth anything he might have mustered up to say. My door was still open. Beth was calm, motionless, her hands still gripping the wheel.

When something happens, for better or for worse it’s happened. It has a before. It has an after. Maybe you can talk about it. Maybe you can’t. But what about something that almost happens? What almost happens repeats itself. I’ve come to believe this as a kind of personal gospel. We’re stopped in the opposite lane. I see lights emerge out of the gray. I open my door and run. I leave her in the car to die. Every time.