Book Review on Art and Fear, originally written by Lea Ryan, author of several books and stories, including the bestselling novella, What the Dead Fear.


Quick Book Review of Art and Fear by David Bayles and Ted Orland

Publisher words: “Art & Fear explores the way art gets made, the reasons it often doesn’t get made, and the nature of the difficulties that cause so many artists to give up along the way. The book’s co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world.

Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is experienced by artmakers themselves.” Post contains affiliate links.

The description is accurate in this case, and the book, in general, is pretty straightforward. If forced to boil it down to a central idea, that would be that an artist is never alone in their frustrations and insecurities.

Self Acceptance in Art and Fear Forms

Art and Fear mentions other art forms, like writing, but the primary focus is visual art. The authors cover a fair bit of ground from self-acceptance and perfectionism to the many reasons artists give up and a few bits about the art industry in general. 


This book explores the concept of making art, specifically ordinary art created by everyday people rather than rare geniuses like Mozart.

The authors argue that equating art with genius is misleading because good art is made frequently, while geniuses are extremely rare. By focusing on ordinary art, the book delves into the human aspects of creativity without getting caught up in the elusive nature of genius.

One quote that I liked was this one: “Talent is a snare and delusion.”

I took a lot of art classes when I was in high school, and every art class had 1 or 2 of those kids that seemed to do everything flawlessly and naturally. I was never that kid. That younger version of me could’ve used that idea. It might’ve motivated me to work harder.

Some of the teachers probably could’ve used it, too, because the “easy win” students were the ones who got the most attention.

Here are a few other quotes from Art and Fear that I liked:

“Becoming an artist consists of learning to accept yourself.”

“To demand perfection is to deny your ordinary and universal humanity.”

“Those who challenge their fears continue. Those who don’t, quit.”

“Vision is always ahead of execution as it should be.”

That last one really got me.

The book is short. I think the audio was about 3 hours. But the length is perfect for the subject matter. Any longer would’ve been overkill and probably would’ve had the authors talking in circles.

Art and Fear is a great read for an artist, aspiring or otherwise. However, another possible use for this book that the authors probably didn’t intend would be for a writer to use this as a form of research if they want to write an artist character.

Overall, the book was good, definitely worth a read or a listen if you struggle with creative insecurities.


Lea Ryan author of article for Art and Fear Review

Lea Ryan author of article for Art and Fear Review

Article originally published at Professional Stringer of Words by Lea Ryan.

Lea Ryan is the author of several books and stories, including the bestselling novella, What the Dead Fear. She writes about the strange and the dark, as well as the light and love, and strives to immerse readers in vivid fictional worlds. She currently lives in Indiana with assorted family members and various pets.

Based on your taste in books, I think we could be great friends!

If you are enjoying this guest post, check out some of our other Literary reads, here.


Discover more from Mind on Fire Books

Subscribe to get the latest posts sent to your email.

Leave a Reply


The State uses horror to keep you compliant. We use it to set you free.

Subscribe to join the Mind on Fire Books inner circle. Upon authentication, we will transmit The Foucauldian Bestiary directly to your inbox—an 11-page, zine-style decryption key that unmasks the rhetorical mechanics of fear through the works of Aron Beauregard, Shirley Jackson, and Robert Heinlein.