The Illustrious Life Of Aeschines, The Greek Orator

Aeschines 390-322 BCE (68 yrs of age)

Aeschines did not have the luxury of growing up with as many material possessions as the aristocrats.  His father was one of the returning Democrats after the defeat of the Thirty.  Aeschines grew up working with his father as a junior clerk and secretary to the assembly at Athens.  He then went on as a tragic actor for a bit but then decided to join the military. 

At 28 years old, he began fighting at Mantinea and was still fighting seventeen years later where he would be decorated for valor at the battle of Tamnae in 348 BCE (Edwards).  Something interesting about his life before his career in oratory is that he didn’t study with any other philosopher or sophist of the day.  Nor does he have an educational background.          

Aeschines The Orator

The Illustrious Life Of Aeschines, The Greek Orator
The Illustrious Life Of Aeschines, The Greek Orator

This is when Aeschines enters the historical debates at first against Phillip in 348, but then later argues for peace with Phillip in 346.  Aeschines was taken in by Philip’s friendliness towards Athens, but Demosthenes saw it as bribery.  Demosthenes begins their long duo by first taking Aeschines to court for treason in 343.  However, Aeschines barely secured an acquittal and continues his career in the Senate. 

In 339, Aeschines meets with the Council at the Apollo Shrine at Delphi and manages to infuse a sacred war with the Thebans, an ally of Philip.  Thebes was demanding a large sum of money from Athens and Aeschines was the Senator sent to repel this request. 

Upon arriving, he makes no verbal response, he simply “pointed out with utmost vividness the land down below Delphi, visible from the site, which the Amphissians occupied illegally, and he called emotionally for a sacred war to expel them.”  This act of war allows Philip to return fire and eventually defeat Athens in 339.  

Here is where Demosthenes and Aeschines fight once again.  Demosthenes blames Aeschines for losing the war, but Aeschines holds his ground and blames “Demosthenes for preventing Athens from following up its advantage adequately.” Being on such good terms in the past, the senate chooses Aeschines to secure peace with Philip.    

Aeschines Finally Gets His Revenge

Aeschines finally gets his chance at revenge on Demosthenes in 336 when he files a suit against Ctesiphon, but the trial doesn’t meet until 330 BCE due to political transitions.  It is unknown why Aeschines waited so long to retaliate or why he would even want revenge after already beating Demosthenes in court, but he still tries because he believes that he should be the one receiving accolades because he is the one who made peace with the Macedonians after first attempting to build better relations with them. 

The Illustrious Life Of Aeschines, The Greek Orator
The Birth of Greek Oratory The Illustrious Life Of Aeschines, The Greek Orator

Aeschines loses the trial so poorly that he failed to rally enough votes – one-fifth of the Senate – necessary to avoid a fine.  To avoid the fine, and probably the humiliation after losing against Demosthenes, he leaves Athens for Asia Minor and Rhodes.  It is speculated that he may have taught at either place since Philostratus (Roman rhetorician) later would regard him as the founder of the Second Sophistic

There is no record of Aeschines’ actual death date, but even though critics debate his loyalty to Athens, they all at least agree that he “ruined himself.” 

Processing…
Success! You're on the list.

The Grand Style in Oratory

Though he has no formal training, “he is familiar with commonplaces, argument, partition, and the devices of style as any Greek orator, and because of his experience as an actor, he probably knew more about delivery than most.” He is said to excel in the clear and vivid narrative which is contrasted with logical argument.  His vocabulary is quite ordinary with the citizen of Attic, occasionally sprinkling hints of poetry or creativity. He uses exaggerated language to play up a scene along with repetition, and rhetorical figures with similar endings.  His early career as an actor gives him the ability to quote poetry, but not in a lengthy manner, short and concise. 

In Against Ctesiphon, Aeschines is said to be quite funny in his language towards Demosthenes.  He was not good at discussing broader issues; he was good at focusing on specific legalities of the case (Edwards 54).   George Kennedy made note of the same focus on court legalities in the speech,  Against Timarchus in which Aeschines solely focuses on the illegality of Timarchus.  Interesting though is that Aeschines does not talk about politics or policy, but can still win the case by focusing on the illegal. Kennedy later posits a theory as to why it may seem like Aeschines purposefully avoided talking about politics. 

The Illustrious Life Of Aeschines, The Greek Orator
The Illustrious Life Of Aeschines, The Greek Orator

Aeschines was walking a fine line between Macedon and Athens, he knew that whatever he said could be misconstrued to fit the rhetoric of war.  And we see this power he wields in being able to wage war when he provokes the sacred war.  We can deduce that Aeschines was a confident man, whose foreign and military experiences taught him that being fair is to focus on the law. 

If you are enjoying this article, we have similar content studying communication from discourse theory, here.

When reading the introduction to Against Ctesiphon, we have to “imagine the speech delivered in Aeschines’ splendid voice and with the stance of a tragic actor.” Perhaps Aeschines grand style lay in his delivery since his surviving speeches are mainly concerned with case law. 

What would other rhetoricians say about Aeschines?  George Kennedy writes that “he loves to speak, and speaks for the moment only, without much historical responsibility, and he is easily intoxicated by the exuberance of his own verbosity.” 

And I think Quintillian, Cicero, and Plato would totally agree with Kennedy.  Both Quintilian and Cicero would most likely immediately discredit Aeschines because of his lack of training or education.  His mind has not been trained in the art of the sublime and loftiness, and Plato would see his speeches as being epideictic, or, purely performances with no real conversation or knowledge. 

Works:  Aeschines was not a logographer.  However, only three forensic speeches survive.

Against Timarchus 345 BCE, On the Embassy 343 BCE, Against Ctesiphon 330 BCE

Phantom World A.R. Braun

  • [caption id="attachment_8291" align="alignleft" width="188"]phantom world phantom world[/caption] Phantom World is a Hard Core Haunt collection that explores the bitter feelings of isolation, loss, and denounces religion from various personalities. Here we will be introduced to poltergeists, newly born ghost-entities along with their familiars learning about the afterlife, and spirits that are stuck in the netherworld. While some of these ectoplasmic beings may come across as innocent at times, their stories unfold in a manner to inform the reader as to why they were not allowed into the heaven or allowed to have a “peaceful” afterlife. Written by A.R. Braun Release Date: September 22nd, The First Day of Fall Phantom World will be Available on Amazon, Barnes and Noble, Smashwords, Scribd, Kobo and here. ISBN: 978-1-7361447-2-5

    About the Author

    Once completing the Bram Stoker Award Boot Camp, A. R. Braun writes the following novels: Dogman of Illinois, Heaven’s Witches, Autonomy, and Only Women in Hell. As well as publishing the short-story collections: Insanity, Horror Book, Grimoire, and the novella, 66SICK. He became interested in horror when he read “The Telltale Heart,” as an assignment in high school. By the time he was eighteen, he owns the whole Stephen King collection and begins writing short stories for friends and family. A. R. holds numerous publication credits, including “NREM Sleep” in the D.O.A. anthology; “Freaks” in Downstate Story magazine; “The Unwanted Visitors” in the Vermin anthology; “Coven” in the Heavy Metal Horror anthology; “Remember Me?” in Horror Bound magazine; and “Shades of Gray (the Symbiosis of Light and Dark)” in Micro Horror magazine. “The Interloper” wins story of the month in 2009’s June Full Moon in Bloom issue of SNM Horror Magazine, and the piece was included in the SNM Horror anthology, Bonded by Blood 2: a Romance in Red. A.R. Braun is a featured writer in our fiction anthology, “Mad Men” – a collection of three disturbing tales exploring what lies within man. Available now at Google BooksBarnes and NobleKoboApple iBooksSmashwords, and Amazon.   Read Demosthenes, the Great Greek Orator

Mad Men Mad Men

  • Mad Men is a collection of three disturbing horror shorts from authors living in the Midwest. The themes explored in this collection range from man versus self, man versus man, and man versus creature. [caption id="attachment_4742" align="alignleft" width="188"]Mad Men eBook Mad Men eBook at Mind on Fire Books[/caption] Mad Men begins with Matt’s tale, a thought-provoking thriller that causes the reader to question his reality and what he fears within himself. The second tale explores the grotesque juxtaposed with beautiful nature, where the ending unfolds into a horrific dream, waking in even more terrible pain. The third tale is by seasoned horror writer, A.R. Braun – and his diabolical creatures never disappoint!  A.R. Braun’s goal is to be on the banned book list; we think this tale may just be evil enough to be considered. A must-read before it does get banned! Mainstream Horror Shorts don’t always satisfy us in the way they should. They don’t open conversations about what it is that we fear or why we fear such things, they focus mainly on pop culture and gore. The writers in the Mad Men anthology understand the need for literate horror, opening discussions of man’s psyche. When these writers set out to tell a story, they are less interested in conveying fear and more interested in wonder, the sublime, and the infinite strangeness that drives all men and women. Highly recommended for tweens, teens, and adults. The Mad Men anthology was published by Mind on Fire Books. Written by Willy Martinez, A.R. Braun, and Matt Lavitt. No part of this book shall be copied without permission from the publisher.

Join The Tribe!

Leave a Reply