The Impact of Race and Identity in Native Americans

The Impact of Race and Identity in Native Americans is represented in Leslie Silko’s novel, “Ceremony.” The impact on the ideology on the thinking of Leslie Silko’s character, Tayo, produces much inner anxiety for the native character due to having to juggle multiple ideological agendas, constantly barraging Tayo at a feeble point in his life. The fact that “ideology is the thing that entices you to forget that meaning always happens in a context” and that “ideology is the making natural of a cultural phenomenon” is what causes so much distress in Tayo’s thinking. Tayo is constantly questioning his surroundings and beliefs due to there being multiple cultural expectations of him that stem from his ancient native past; his white man’s education and his military experiences up until the end when Tayo finally decides which path to pave.

One way to look at Tayo’s thought process would be to think about each ideology as a layer of clothing, such as a shirt. He begins his journey with many shirts on at the same time and his thoughts are constantly weaving in and out of cultural context until the end of his journey when he finally finds jus the right shirt, size and all, which provides him with the proper ideologies and subjectivities to perpetuate his existence within his surroundings.

Dealing with the Impact of Race and Identity

As stated, he begins his journey with three cultural ideologies which can be broken down into his military past; his experiences in the white man’s world and what he thinks he should be – and then we have the cultural ideology with which he grew up in, which is that of Native American ancestry.

Dealing with the Impact of Race and Identity by Willy Martinez
The Impact of Race and Identity in Native Literature by Willy Martinez

Through out this novel we see the impact of race and identity with Tayo trying to conform to a “pet ideological agenda.” The idea of ideology is itself paradoxical so this also adds to the confusion in Tayo’s mind. All his thoughts contradict themselves along with the way that he was brought up so this is another layer that author, Leslie Silko adapted to her character. Silko plays on the Man versus Self contradicting paradox – Tayo is battling his own different selves and questioning each one’s argument and one example of this conflict would be when Tayo questions Rocky about drinking the freshly hunted deer’s blood right after they have killed him. Tayo then remembers what he and his best friend, Rocky, learned in school about bacteria and refrigeration and then questions his Native American heritage on their practices in contrast to the white man’s beliefs.

So this would lead the reader to understand that Tayo’s first ideological foundation or ‘shirt’ is with his Native American ancestry. He grew up on a reservation and it is actually an old scalp ceremony that begins Tayo’s quest for his ‘self’ once he has returned from war as a sick Veteran. He had been in the hospital for quite some time in California but upon his return to the reservation is when he tries the scalp ceremony even though the white military doctors had advised against it. The reader then witnesses the debate between two ideologies upon the question of healing and medicine.

Join 3,796 other subscribers

Cultural Ideology

A second cultural ideology that was weighting on Tayo’s thinking was his white education that contradicted his ancestry. He had grown up believing that the world was all one and that that was the way the world “should be”, but then the new world had become “entangled with European names” and that “Christianity separated the people from themselves… because Jesus Christ would save only the individual soul. Now Tayo has to deal with religious ideologies that negate each other. IN his adolescence, Tayo grew up with a firm belief in his past even though his best friend Rocky was a believer of the white man’s ways even though it was “Indian witchery that made white people in the first place.” Tayo has been lead to believe that he is living in a white man’s world, yet it is the Indian who created the white man? it’s no wonder he is confused.

Tayo was taking bits and pieces of his military lifestyle or his “third shirt” and mixing them with the civilian world, which again come from the impact of race and identity. in the military, Tayo was a well trained infantry Marine with objectives and surroundings very distinct from his lifestyle back home in New Mexico. Tayo had trouble code-switching between the two cultures due to one experience leaving him with a scarred painful memory of watching his brother dies in war. For example, when he first got home, he would just lay in bed all day thinking about Rocky while throwing up. The room he slept in reminded him of what used to be and not what he had become; he remembers growing up with Rocky in that same room, but just Rocky isn’t there anymore. In his mind, Tayo has flashbacks of watching Rocky die but this is out of context with what is actually around him.

Dealing with the Impact of Race and Identity by Willy Martinez
The Impact of Race and Identity in Native Literature by Willy Martinez
If you are enjoying this article, perhaps you would like the 15 Best Quotes from “Fahrenheit 451”

After analyzing each ideology and making the comparison to layers of clothing (shirts), one can understand that Tayo has the option of wearing whichever shirt best fits him. Tayo struggled not only to reduce the amount of shirts he wore, but also figuring out which shirt to wear. He had begun his journey with multiple shirts and never really knowing which one to wear, but in the end he has finally chosen a shirt or cultural ideology – his Native American ancestry.

In the end, Tayo is freed from the impact of race and identity and battling his belief system by what we would automatically assume is “his escaping the past” but according to The Theory Toolbox, the task is “not to escape cultural ideology but to account for it’s working in the seemingly disinterested and neutral presentations of culture.” So in other words, Tayo learns to “accept each day as a natural fact: Things are the way they are; case closed.” Yet the paradox remains – has Tayo finally chosen a shirt that he feels comfortable in, or has he chosen not to wear any shirt and just let it be?

On Writing Horror Willy Martinez

  • On Writing Horror amassed from an obsession to learn where the power of fear resides. An anthology of works studying the way in which writers evoke fear and how they may affect us. On Writing Fear is an index of terror, drawing from Aristotle, Longinus, Edmund Burke, Che Guevarra, Wordsworth, Foucault, H.P. Lovecraft, Todorov, and many more.

    Chapters include digital illustrations created by the author.

    Also available at the Apple iBookstore, Kobo, Barnes and Noble, and Smashwords.

    A must have collection of research on the power of Horror- a tormented treatment of the human passions!

    Table of Contents for On Writing Horror

    Ch 1. Fear and War: Crafting the War on Terror Using Fear Appeals Ch 2. The Art of the Coup D'etat Ch 3. The Feminine Supernatural versus the Male Supernatural Writers Ch 4. Projecting Ghost Children to Find Identity Ch 5. The Supernatural Power of the Sublime in Wordsworth's Poetry Ch 6. Disorienting Characters with Haunted Spaces and Auditory Hallucinations Ch 7. Modern Ghosts Ch 8. The Fantastic in Fear Ch 9. The Fun Side of Fear: Faustus' Tricky Imp of Satan Ch 10. Glorifying Satan

    Some of the art included:

    [caption id="attachment_4846" align="alignnone" width="188"]Art for On Writing Horror Art for On Writing Horror[/caption] [caption id="attachment_4847" align="alignnone" width="200"]Art for On Writing Horror Art for On Writing Horror[/caption] [caption id="attachment_4848" align="alignnone" width="194"]Art for On Writing Horror Art for On Writing Horror[/caption]

Mad Men

  • Mad Men is a collection of three disturbing horror shorts from authors living in the Midwest. The themes explored in this collection range from man versus self, man versus man, and man versus creature. [caption id="attachment_4742" align="alignleft" width="188"]Mad Men eBook Mad Men eBook at Mind on Fire Books[/caption] Mad Men begins with Matt’s tale, a thought-provoking thriller which causes the reader to question his reality and what he fears within himself. The second tale explores the grotesque juxtaposed with beautiful nature, where the ending unfolds into a horrific dream, waking in even more terrible pain. The third tale is by seasoned horror writer, A.R. Braun – and his diabolical creatures never disappoint!  A.R. Braun’s goal is to be on the banned book list; we think this tale may just be evil enough to be considered. A must read before it does get banned! Mainstream Horror Shorts don’t always satisfy us in the way they should. They don’t open conversations about what it is that we fear or why we fear such things, they focus mainly on pop culture and gore. The writers in the Mad Men anthology understand the need for literate horror, opening discussions of man’s psyche. When these writers set out to tell a story, they are less interested in conveying fear and more interested in wonder, the sublime, and the infinite strangeness that drives all man and woman. Highly recommended for tweens, teens, and adults. The Mad Men anthology published by Mind on Fire Books. Written by Willy Martinez, A.R. Braun and Matt Lavitt. No part of this book shall be copied without permission from the publisher.

Ghost Children

  • The ghost children in “The Lost Ghost” and “The Wind in the Rose-Bush” are not restricted ghosts, and this is how these ghosts differ from the other ghosts of writers of Mary Eleanor Wilkins Freeman time such as Henry James, Sarah Jewett or Ambrose Bierce. These apparitions may seem cute, but think twice as these ghost children will leave you with goose bumps. This double feature of Mary E. Wilkins short fiction is creepy enough to leave you sleeping with the lights on.

Published by

Willy Martinez

Willy Martinez is a creative writer, Integrated Marketing Specialist, and Boxing coach. Since being honorably discharged from the Marines in 2004, he has pursued his passion for telling stories, whether they be through film, graphic design, and writing for digital art.

Leave a Reply