Reading Good Fiction Part 2: Synopsis of “Space”

Reading Good Fiction Part 2

Reading good fiction can be a challenge these days with so many small presses and opportunities for writers – good and bad – to publish their works easily. Here in this three part series, I will share my opinions and synopsis of three short stories in Literature.

Space” by Kevin Brockmeier

This story is about love and the feeling of exile from another person. In “Space,” written by Kevin Brockmeier, the narrator is recalling his memories of a recently lost spouse. The narrator has been widowed and left with a fifteen year old son; they are both trying to cope with or forget about their recent loss.

The story begins with the narrator looking out into the horizon and gazing off into the lights which he now often does. While showering, the lights and power go out. Both the son and father are left with no distractions; all they have is a candle in the apartment and the lights far off in the horizon of the city. We slowly learn about Della, the recently deceased wife, through inner dialogues that the narrator shares.

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All items and spaces within the house remind him of her. He thinks back to the funeral of three months ago which took place during the Winter. He recalls the “slow willowy hands” of the funeral guests comforting him at the funeral home. This is how we learn about Della and what it is that the two are grieving. Then a bird is heard outside, which is annoying to the teenage son, but serves as a memory for the narrator. It’s the same bird that was heard when they first purchased the house. All the narrator recalls is his wife Della’s response to the bird: “Well, if there’s holes in our tree, at least birds will be nesting in the.”

Author of “Space,” Kevin Brockmeier

In reading good fiction we learn that it is these small memories and emotional energies associated with their living space which drive the story. This becomes extremely powerful during a blackout because there is no TV to distract the teenager. The narrator is aware of the inevitability of the human mind to forget and move on so this is also troublesome. The narrator doesn’t want to forget his wife so he recalls her childhood memories. The memory we are left with is Della’s imagination of sending light to a planet without light. Ou narrator finally lets go at the end and imagines that her light of life has finally reached another planet without light and that her spirits in now filling the planet with hope. And this is how he learns to cope and let go – it has to be a happy memory.

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Space” was powerfully written and imaginative in the sense that it uses the surroundings to transport the reader into past memories which come alive to these two mourning characters. The son is constantly complaining about not having power and not wanting to think about his mother, while the narrator cannot stop gazing out into space and forcing himself to recall her presence and energy.

On Writing Horror Willy Martinez

  • On Writing Horror amassed from an obsession to learn where the power of fear resides. An anthology of works studying the way in which writers evoke fear and how they may affect us. On Writing Fear is an index of terror, drawing from Aristotle, Longinus, Edmund Burke, Che Guevarra, Wordsworth, Foucault, H.P. Lovecraft, Todorov, and many more.

    Chapters include digital illustrations created by the author.

    Also available at the Apple iBookstore, Kobo, Barnes and Noble, and Smashwords.

    A must have collection of research on the power of Horror- a tormented treatment of the human passions!

    Table of Contents for On Writing Horror

    Ch 1. Fear and War: Crafting the War on Terror Using Fear Appeals Ch 2. The Art of the Coup D'etat Ch 3. The Feminine Supernatural versus the Male Supernatural Writers Ch 4. Projecting Ghost Children to Find Identity Ch 5. The Supernatural Power of the Sublime in Wordsworth's Poetry Ch 6. Disorienting Characters with Haunted Spaces and Auditory Hallucinations Ch 7. Modern Ghosts Ch 8. The Fantastic in Fear Ch 9. The Fun Side of Fear: Faustus' Tricky Imp of Satan Ch 10. Glorifying Satan

    Some of the art included:

    [caption id="attachment_4846" align="alignnone" width="188"]Art for On Writing Horror Art for On Writing Horror[/caption] [caption id="attachment_4847" align="alignnone" width="200"]Art for On Writing Horror Art for On Writing Horror[/caption] [caption id="attachment_4848" align="alignnone" width="194"]Art for On Writing Horror Art for On Writing Horror[/caption]

Mad Men

  • Mad Men is a collection of three disturbing horror shorts from authors living in the Midwest. The themes explored in this collection range from man versus self, man versus man, and man versus creature. [caption id="attachment_4742" align="alignleft" width="188"]Mad Men eBook Mad Men eBook at Mind on Fire Books[/caption] Mad Men begins with Matt’s tale, a thought-provoking thriller which causes the reader to question his reality and what he fears within himself. The second tale explores the grotesque juxtaposed with beautiful nature, where the ending unfolds into a horrific dream, waking in even more terrible pain. The third tale is by seasoned horror writer, A.R. Braun – and his diabolical creatures never disappoint!  A.R. Braun’s goal is to be on the banned book list; we think this tale may just be evil enough to be considered. A must read before it does get banned! Mainstream Horror Shorts don’t always satisfy us in the way they should. They don’t open conversations about what it is that we fear or why we fear such things, they focus mainly on pop culture and gore. The writers in the Mad Men anthology understand the need for literate horror, opening discussions of man’s psyche. When these writers set out to tell a story, they are less interested in conveying fear and more interested in wonder, the sublime, and the infinite strangeness that drives all man and woman. Highly recommended for tweens, teens, and adults. The Mad Men anthology published by Mind on Fire Books. Written by Willy Martinez, A.R. Braun and Matt Lavitt. No part of this book shall be copied without permission from the publisher.

Ghost Children

  • The ghost children in “The Lost Ghost” and “The Wind in the Rose-Bush” are not restricted ghosts, and this is how these ghosts differ from the other ghosts of writers of Mary Eleanor Wilkins Freeman time such as Henry James, Sarah Jewett or Ambrose Bierce. These apparitions may seem cute, but think twice as these ghost children will leave you with goose bumps. This double feature of Mary E. Wilkins short fiction is creepy enough to leave you sleeping with the lights on.

Published by Willy Martinez

Willy Martinez is a creative writer, Integrated Marketing Specialist, and Boxing coach. Since being honorably discharged from the Marines in 2004, he has pursued his passion for telling stories, whether they be through film, graphic design, and writing for digital art.

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