Reading Good Fiction

Reading Good Fiction Part 3: “Shamengwa”

Reading good fiction can be a challenge these days with so many small presses and opportunities for writers – good and bad – to publish their works easily. Here in this three part series, I will share my opinions and synopsis of three short stories in Literature.

Shamengwa” by Louise Erdrich

This story deals with alienation, only the recovery for this sense of detachment is caused by music – a different focus on love than I am used to reading. The tale of “Shamengwa,” written by Louise Erdrich, is about Shamengwa and his violin. The story is being told by one of the tribal judges on an American Indian reservation.

He tells us the story of Shamengwa, the crippled old man who lives on the edge of the reservation. Shamengwa is now an old man with a twisted arm due to neglect as a child. Due to this neglect, Shamengwa developed his musical talent to the point where he would win all sorts of awards and also to the point where he wasn’t wanted at parties because he would steal all the attention. The narrator then tells us of how the violin was stolen.

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One day Shamengwa was struck from behind and tied up by a local hooligan who is known by the judge to be a troubled youth. In an attempt to mourn and pay respects to Shamengwa, the judge visits him and learns of the violin’s story. Shamengwa begins to tell the tale of his lost brother. He once had a brother and a happy family, including a mother and father who loved music. When the brother passed away, all the love in the family disappears. Shamengwa is no longer loved or even paid attention to. When his parents forget to cook, he sneaks off to drink the cow’s milk.

Author, Louise Erdrich of “Shamengwa”

One way while he was getting milk, the cow turned mean and kicked him in the arm, shattering his arm bone. He mentions this to his parents after a while but they didn’t care. Being the young person that he was, he began tying up his arm to hit it, but then over time, his arm healed crookedly. The kids at school would tease him and gave him the nickname of Shamengwa, which meant ‘butterfly’: his deformity gave him the silhouette of a butterfly.

Shamengwa began to learn the violin in secret, which was forbidden after the death of his brother. He would practice outside sometimes and one day when the wind was bad, his mother heard him. The next day he decided that he wasn’t going to hide it so he continues to play after his parent return home. He learns that his “playing was more important than his father’s pain.”

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Reading good fiction, continues:

His parents couldn’t believe it. He had aroused something in his father who then leaves the family but also takes the violin with him. Shamengwa could not understand why his father would have taken the violin but a voice tells him to wait by a large rock by the lake. He waits for a couple of days and leaves tobacco on the ground for the spirits. Then one day a canoe floats up near the ridge. It is empty, but he recalls the voice telling him to wait for the sign. He swims out to the canoe; apparently he has learned to adjust to his deformity. In the canoe he finds a violin.

As it turns out, the violin was stolen, and the actual thief was finally caught in the mall. The thief had first attempted to sell the violin but was then tempted to play it. When the officials caught him, they said he was furiously playing out of tune and rhythm. He did not know what came over him but it caused him to get caught. The judge then orders the thief to learn to play the violin and to be taught by Shanengwa as a punishment.

But the narrator himself wonders if it was really a punishment or if he personally just wanted to hear the violin be played. The whole community is in love with the music; it’s how Shamengwa communicates with his people. They learn together and the thief learns to be loved and to be a part of the community through playin and instrument.

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Author, Louise Erdrich of “Shamengwa”

Then one day Shamengwa dies peacefully. His pupil plays one last song at the funeral and then proceeds to break the violin and disrupt the service. To his surprise, the Judge finds a note which was in the violin. He later reads the note and learns about the violin’s history.

The violin was once owned by an Indian father who left it to his two sons. His sons were to compete in a canoe river race for ownership of the fiddle. The letter was dated 1897 and spoke about how the two brothers sabotaged each other’s canoes the night before the race. During the night of the race a storm hit and one of the brothers goes missing. The remaining brother feels guilty and plays a song for him every night until he locks the violin in a box and sets it loose on the canoe.

In reading good fiction, this is what we are left to believe, that the violin and the canoe were sailing empty for 20 years before Shamengwa came across it as a boy.

On Writing Horror Willy Martinez

  • On Writing Horror amassed from an obsession to learn where the power of fear resides. An anthology of works studying the way in which writers evoke fear and how they may affect us. On Writing Fear is an index of terror, drawing from Aristotle, Longinus, Edmund Burke, Che Guevarra, Wordsworth, Foucault, H.P. Lovecraft, Todorov, and many more.

    Chapters include digital illustrations created by the author.

    Also available at the Apple iBookstore, Kobo, Barnes and Noble, and Smashwords.

    A must have collection of research on the power of Horror- a tormented treatment of the human passions!

    Table of Contents for On Writing Horror

    Ch 1. Fear and War: Crafting the War on Terror Using Fear Appeals Ch 2. The Art of the Coup D'etat Ch 3. The Feminine Supernatural versus the Male Supernatural Writers Ch 4. Projecting Ghost Children to Find Identity Ch 5. The Supernatural Power of the Sublime in Wordsworth's Poetry Ch 6. Disorienting Characters with Haunted Spaces and Auditory Hallucinations Ch 7. Modern Ghosts Ch 8. The Fantastic in Fear Ch 9. The Fun Side of Fear: Faustus' Tricky Imp of Satan Ch 10. Glorifying Satan

    Some of the art included:

    [caption id="attachment_4846" align="alignnone" width="188"]Art for On Writing Horror Art for On Writing Horror[/caption] [caption id="attachment_4847" align="alignnone" width="200"]Art for On Writing Horror Art for On Writing Horror[/caption] [caption id="attachment_4848" align="alignnone" width="194"]Art for On Writing Horror Art for On Writing Horror[/caption]

Mad Men

  • Mad Men is a collection of three disturbing horror shorts from authors living in the Midwest. The themes explored in this collection range from man versus self, man versus man, and man versus creature. [caption id="attachment_4742" align="alignleft" width="188"]Mad Men eBook Mad Men eBook at Mind on Fire Books[/caption] Mad Men begins with Matt’s tale, a thought-provoking thriller which causes the reader to question his reality and what he fears within himself. The second tale explores the grotesque juxtaposed with beautiful nature, where the ending unfolds into a horrific dream, waking in even more terrible pain. The third tale is by seasoned horror writer, A.R. Braun – and his diabolical creatures never disappoint!  A.R. Braun’s goal is to be on the banned book list; we think this tale may just be evil enough to be considered. A must read before it does get banned! Mainstream Horror Shorts don’t always satisfy us in the way they should. They don’t open conversations about what it is that we fear or why we fear such things, they focus mainly on pop culture and gore. The writers in the Mad Men anthology understand the need for literate horror, opening discussions of man’s psyche. When these writers set out to tell a story, they are less interested in conveying fear and more interested in wonder, the sublime, and the infinite strangeness that drives all man and woman. Highly recommended for tweens, teens, and adults. The Mad Men anthology published by Mind on Fire Books. Written by Willy Martinez, A.R. Braun and Matt Lavitt. No part of this book shall be copied without permission from the publisher.

Ghost Children

  • The ghost children in “The Lost Ghost” and “The Wind in the Rose-Bush” are not restricted ghosts, and this is how these ghosts differ from the other ghosts of writers of Mary Eleanor Wilkins Freeman time such as Henry James, Sarah Jewett or Ambrose Bierce. These apparitions may seem cute, but think twice as these ghost children will leave you with goose bumps. This double feature of Mary E. Wilkins short fiction is creepy enough to leave you sleeping with the lights on.

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Willy Martinez

Willy Martinez is a creative writer, Integrated Marketing Specialist, and Boxing coach. Since being honorably discharged from the Marines in 2004, he has pursued his passion for telling stories, whether they be through film, graphic design, and writing for digital art.

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